Showing posts with label Magical Realism. Show all posts
Showing posts with label Magical Realism. Show all posts

Friday, 1 November 2019

New World



Richmond Public Library recently received a bunch of brand-new Graphic Novels which prompted me to revisit this genre. When I saw New World, I was immediately drawn to the striking artwork and knew I had to read this book.  David Jesus Vignolli, a Brazilian graphic novelist, weaves the story of an Indigenous Brazilian warrior, an enslaved African musician, and a Portuguese sailor who come together to battle the pale white giants who have invaded the New World. 

When Iracema discovers the enslaved African people living near her tribe, she must take up arms to free them from the Portuguese colonialists. With this purpose in mind, Iracema goes deep into the woods and is bestowed a lightning bow from the God Tupa. This bow is the only way to protect her people from monsters and evil beings. Along with a band of warriors, Iracema invades the colonialist settlement to free the slaves; however, horrible monsters attack the brave warriors and many perish in the fight. Amakai, a man being sold at the slave auction that day, manages to escape the fight and rescue Iracema from the fray. He is an African prince who can play a flute that draws out the monsters of men. Together, they might have what it takes to take on the monstrous colonialists and protect the New World. 

This book has a fair smattering of historical context and weaves many stories together in a compelling way. There is an overarching narrative on the colonisation of South America scattered through the stories of the main protagonists, Iracema and Amakai.  Magical realism provides a backdrop for this tale, making an easy connection between slave traders and monsters.  While there are illustrations of monstrous figures throughout the story, it is hard to say if the monsters are real or just a projection of the slave owners.  Paired with a simplistic yet colourful and clear art style, there are many nuances to the story left unwritten but open for interpretation. 

Thursday, 3 October 2019

Everything Under

Everything Under - Johnson, Daisy
Everything Under
By Daisy Johnson



Everything Under is the story of Gretel, and her mother, Sarah – how they were separated and, sixteen years later, how they were reunited.  But it is much more complicated than that.

Gretel was raised by Sarah on a houseboat on a river in England.  This is an England of the underworld, that thrives in the shadows, where the murky river water and muddy shoreline promote dark dreams.  The inhabitants of this England rely on each other, and take care of their own problems, with no interference from authorities of any kind.  This is an England where Sarah is allowed to leave Gretel behind.

We are not privy to much of Gretel’s life after Sarah left her, but as an adult, Gretel goes searching for her mother and finds a woman ravaged by dementia.  Despite their years apart, Gretel begins to care for her mother, and Sarah in turn reveals some of the hard truths of their difficult life.

As we move back and forth through time to Gretel’s childhood (The River), her search for Sarah (The Hunt), and her adult life with Sarah (The Cottage), we are introduced to Marcus, a young man who lived briefly on the boat with Gretel and Sarah.  Marcus has a harrowing story of his own.  Meanwhile, we meet Margot, who has also been abandoned as a child and found on a forest path by a couple who is childless but desperate to be parents.

Mythology looms large as children are turned out to flounder in the woods, Margot’s ill-fated future is predicted by Fiona (the Oracle), and the myth of Oedipus rears it’s ugly head.  Daisy Johnson is a master of magical realism, as she links present-day England to the profound drama of myth.  Throughout the story she weaves in the terror of “the Bonak”, a creature from the minds of Sarah and Gretel that comes to represent everything that we fear.

This novel is mesmerizing although at times difficult to follow.  To make things more complicated there are also two Gretels, and two characters who change genders during the course of the story.  However, as the plot starts to come together, you will have those “a-ha” moments, made all the more satisfying because the story is so complex.  If you like a bit of darkness in your stories, I highly recommend Everything Under.




Thursday, 24 January 2019

The Snow Child

The Snow Child
The Snow Child
By Eowyn Ivey


Jack and Mabel are struggling with their relationship and their inability to have children.  Seeking a new start, they travel north to become homesteaders on the Alaskan frontier.  

1920’s Alaska can be a brutal place.  Jack must manually clear his land for farming.  Mabel is expected to keep the home fires burning, although she wants nothing more than to get her hands dirty and share in the labour of farming.  Mabel begins to feel so isolated that she takes a stroll on the thin river ice, knowing full well the dangers. 

Then one day, a young girl appears at the edge of the forest.  Concerned for her safety, Jack and Mabel take her in and offer her food and shelter.  But the girl does not need their protection and quickly disappears.  Lovely and captivating, this girl flits in and out of the couple’s life as they fall hopelessly in love with her.

They begin to take on the role of caregivers and parents, but have no idea where she comes from.  It takes months, in fact, to even learn her name: Faina (Fah-EE-nah).

As months turn into years, Faina becomes a fixture at the homestead during the winter season.  Each year as the snow melts, Faina disappears into the mountains.  Her story is revealed slowly as both Jack and Mabel pursue her through the forest to learn more about her life. But the idea that she may be a magical creature always hovers on the periphery. This idea is reinforced by Mabel’s Russian picture book about a fairy child in the snow.

Yet neighbours Esther and George, who become close friends of Jack and Mabel, believe Faina to be the product of imagination – a kind of madness that sets in during the darkness of Alaskan winter.  But soon both families will become intricately tied to the otherworldly Faina.

Eowyn Ivey’s The Snow Child is magical realism at its best.  There is physical proof that Faina is a flesh and blood girl, and her life in the forest can be explained.  But how is it that she never feels the cold?  Why is she able to so easily move through the deep snow?  Magical or not, Faina’s presence unites Jack and Mabel, helping to heal their marriage.  A mesmerizing, haunting tale of joy and tragedy.  

Highly recommended!